My dear Reynolds,
I compare human life to a large Mansion of Many Apartments, two of which I can only describe, the doors of the rest being as yet shut upon me.
The first we step into we call the infant or thoughtless Chamber, in which we remain as long as we do not think—We remain there a long while, and notwithstanding the doors of the second Chamber remain wide open, showing a bright appearance, we care not to hasten to it; but are at length imperceptibly impelled by the awakening of this thinking principle within us—we no sooner get into the second Chamber, which I shall call the Chamber of Maiden-Thought, than we become intoxicated with the light and the atmosphere, we see nothing but pleasant wonders, and think of delaying there for ever in delight.
However among the effects this breathing is father of is that tremendous one of sharpening one’s vision into the heart and nature of Man—of convincing one’s nerves that the world is full of Misery and Heartbreak, Pain, Sickness and oppression—whereby this Chamber of Maiden Thought becomes gradually darken’d and at the same time on all sides of it many doors are set open—but all dark—all leading to dark passages—We see not the ballance of good and evil. We are in a Mist.
We are now in that state—We feel the “burden of the Mystery.” To this Point was Wordsworth come, as far as I can conceive when he wrote “Tintern Abbey,” and it seems to me that his Genius is explorative of those dark Passages. Now if we live, and go on thinking, we too shall explore them—he is a Genius and superior to us, in so far as he can, more than we, make discoveries, and shed a light in them—Here I must think Wordsworth is deeper than Milton—though I think it has depended more upon the general and gregarious advance of intellect, than individual greatness of Mind.
From the Paradise Lost and the other Works of Milton, I hope it is not too presuming, even between ourselves to say, his Philosophy, human and divine, may be tolerably understood by one not much advanced in years. In his time englishmen were just emancipated from a great superstition—and Men had got hold of certain points and resting places in reasoning which were too newly born to be doubted, and too much opposed by the Mass of Europe not to be thought etherial and authentically divine—who could gainsay his ideas on virtue, vice, and Chastity in Comus, just at the time of the dismissal of Cod-pieces and a hundred other disgraces?
But let us not go hurrying about and collecting honey, bee-like buzzing here and there impatiently from a knowledge of what is to be arrived at: but let us open our leaves like a flower and be passive and receptive—budding patiently under the eye of Apollo and taking hints from every noble insect that favours us with a visit—sap will be given us for Meat and dew for drink.
I was led into these thoughts, my dear Reynolds, by the beauty of the morning operating on a sense of Idleness—I have not read any Books—the Morning said I was right—I had no Idea but of the Morning and the Thrush said I was right—seeming to say—
“O thou whose face hath felt the Winter’s wind, Whose eye has seen the snow-clouds hung in Mist And the black-elm tops ‘mong the freezing Stars To thee the Spring will be a harvest-time— O thou whose only book has been the light Of supreme darkness which thou feddest on Night after night, when Phoebus was away To thee the Spring shall be a triple morn— O fret not after knowledge—I have none And yet my song comes native with the warmth O fret not after knowledge—I have none And yet the Evening listens—”
Your sincere friend John Keats
About This Letter
Historical Context
Written to John Hamilton Reynolds, a close friend and fellow poet, this letter contains one of Keats's most profound philosophical reflections. The 'Mansion of Many Apartments' metaphor describes the stages of human intellectual and spiritual development.
Significance
This letter contains one of the most important philosophical passages in Keats's correspondence. His metaphor of life as a mansion with many rooms has become a classic description of human psychological and spiritual development, influencing later thinkers and writers.
About John Keats
John Keats (1795-1821) was an English Romantic poet whose work was largely unrecognized during his lifetime but is now considered among the greatest in English literature. He died of tuberculosis at age 25, leaving behind some of the most beautiful poetry in the English language.
About John Hamilton Reynolds
John Hamilton Reynolds (1794-1852) was a poet, satirist, and close friend of Keats. He was part of Keats's literary circle and one of his most trusted correspondents on matters of poetry and philosophy.
Additional Resources
- The Letters of John Keats - Project Gutenberg Complete collection of Keats's letters
- John Hamilton Reynolds Biography of Keats's friend and correspondent
- Keats's Philosophy Overview of Keats's philosophical development